Loading…
Finalist for the Pulitzer Prize. Minnesota Book Award winner. A Best Book of 2025 by the New York Public Library. On the heels of Sho (winner, Griffin Poetry Prize) and Optic Subwoof (Pegasus Award in Poetry Criticism), Douglas Kearney's visual poetry masterpiece pushes further into Kearney's long-time practices of performance typography, collaging pre-existing media sources to create singular, multiplicitous texts that defy neat categorization. Through AfroFuturistic exploration of these techniques, Kearney presents a sustained consideration of precarious Black subjectivity, cultural production as self-defense, the transhistoric emancipatory logics of the preposition over, Anarcho-Black temporal disruption, and seriocomic meditations on the material and metaphysical nature of shadow.